Knitting Factory Presents

Vinyl Theatre, Shiffley, Valley Latini, Dylan Rockoff


Mar 29 Thu
Vinyl Theatre, Shiffley, Valley Latini, Dylan Rockoff7:00 PM | Doors: 6:30 PM
Knitting Factory - BrooklynBrooklyn, NY
All Ages
Buy Tickets $15.00 ADV / $20.00 DOS

Vinyl Theatre

A piece of paper may seem flimsy, but once it’s folded into something it
becomes stronger, its weakness suddenly transformed. That’s true for
people, too: Once you recognize your weaknesses you can shift them to
become your strengths. You can become like that piece of once-flimsy
paper, now folded into origami. That’s the premise behind Vinyl Theatre’s
dynamic second album, which takes the title Origami to represent the idea
that you have the power to reform your personal limitations.
The Milwaukee trio started writing the new music shortly after finishing
their 2014 debut album Electrogram, their first release for Fueled By
Ramen. The musicians found themselves deep in thought while touring the
country extensively over the past two years, reconsidering how they
wanted to project their ideas through their songs. The goal of Origami was
to tell a cohesive story, rather than just gather tracks together, and Vinyl
Theatre wrote nearly 40 songs, beginning with one called “My Fault,” which
encapsulates the main message of the record.

“We toured for eight and a half months during our first year out,” Keegan
says. “You start to realize your weakness and your strengths on the road.
You realize that there will never be a last hurdle – there’s always another
one. There’s always something more to be gained. That song is about
finding strength in your faults, which carries through the rest of the record.
It’s a positive album with hopeful undertones, but it also touches on these
harder parts of life.”

The musicians mostly wrote between tours, finding time off the road to
focus on the new music. Only one track, “Pull Your Weight,” was written in
a hotel room in Pennsylvania while on tour. There was an emphasis on
growth this time around, a desire to push beyond what the group achieved
with Electrogram. “We’ve always looked up to bands that were able to
progress with each album and to make sure that you're not putting out the
exact same record,” Chris notes. “In the past our releases were simply what
we had written. This was the first time we were able to write song after
song and really make sure we put out the best possible ones.”
In August of 2016 Vinyl Theatre headed up to upstate New York to record
at Dreamland with producers Albert Di Fiore and Alex Aldi, whose work
with Passion Pit inspired the musicians to connect with him. The band spent
a month recording day in and day out, focusing solely on the music. They
used real drums for every track and wanted the process to feel as organic
as possible. There were no limits put on what could be tried and in the end,
Vinyl Theatre left feeling like they’d tested all sonic options. “We were able
to try everything we wanted,” Keegan says. “We can look back at the album
with no regrets now because we know we had the opportunity to explore
the songs in the studio.”

The final album spans nine songs, each of which reveals a thoughtful
message in its lyrics. “30 Seconds,” a propulsive rocker, is about the brevity
of life and how amazing it is that we get any time here at all. The hopeful
song asserts that we have a birth date and a death date, but what’s really
important is that dash in between them. “New Machines,” a surging,
layered number, embraces a new sound for Vinyl Theatre. The compelling
song asks whether there’s an end to knowledge, exploring ideas of
spirituality and how important it is to keep searching for new ideas. It feels
like the band’s most thought-provoking and mature song to date. That
sense of imagination and open-minded consideration is an important facet
to Origami overall.

“When we wrote our first record we were still working other jobs,” Keegan
explains. “A lot of songwriting was on the weekends. It was like an escape,
so the songs were happy and hopeful. Now we’ve had time to sit together
over these long drives on tour and we’ve thought a lot about things. We’ve
had time to consider what kind of impact we want to leave on people. We
want to make enjoyable music, but also have a bigger impact on those who

“This album definitely has hopeful undertones and positive messages
throughout the songs,” Chris adds. “Ultimately, we wanted to write songs
that were close to the heart and that show a different side of us.”
Origami marks a massive growth for Vinyl Theatre. The guys originally
started writing songs together nine years ago via Skype, but didn’t officially
form as a band until three years back when they unveiled their Chromatic
EP in the summer of 2014. Since the release of Electrogram a few months
later, the band has toured with Twenty One Pilots, Smallpools, The
Mowgli’s and Dashboard Confessional among others, and headlined
Summerfest in their hometown of Milwaukee. Being on the road so much
has pushed the musicians to become even better, which is reflected in the
new songs. They’re driven by a sense of pride in their work, always aiming
to do more and to create music that is hopeful and encouraging to those
who listen. For them, Origami is about embracing who you are and using
that knowledge to become stronger.

“Even when something feels paper thin you can make anything out of it,”
Keegan says. “You can make anything out of yourself, too, when you realize
what you’re made of.”